Monday, May 18, 2009

Ice Axe

Nearly two weeks ago I was at 11,000 feet, lying on my back. My helmeted head faced down a slope, my booted feet were held by two instructors in my Wilderness Trekking School. My hands gripped an ice axe. Before releasing me into a slide, my instructors asked me which way I was going to turn once I was in freefall.


"To the right," I replied, slightly lifting my torso and twisting to the right to reinforce my intention.

The point of this exercise was to learn how to stop oneself from slipping to one's death, serious injury or - in the best case scenario - inconvenience. Plunging the tip of the ice axe into the snow would create a fulcrum around which my body would rotate, so that I'd end up on my belly with my feet facing downslope, and by putting my weight onto the axe I would stop my descent. In theory, that is what was supposed to happen.


I gave the teachers the OK and they let me go. Off I went. Rather than terror, I experienced pure bliss sliding down a glacier in the bright sunshine, my skin tingling from the bits of snow that found their way inside my Gore-Tex layers. I didn't really want to stop and could have happily slid to the bottom, but with my classmates and teachers watching I had no choice. I plunged the ice axe into the snow and, sure enough, my body eventually spun around and my feet and head reversed positions. But I kept slipping. Without being conscious of it, I had lifted the axe out of the snow and plunged it in again, as if the initial plunge had been the problem. Eventually I stopped, but I had traveled a long way.


I climbed back to the top of our slide and awaited my next turn, observing the other students as they attempted this maneuver. Another woman seemed to have the same experience as me - she repeatedly, but imperceptibly, lifted her axe out of the snow and repositioned it, as if each successive plunge would work better than the preceding one. She, too, ended her slide a bit farther than desireable.


"Commit!" exclaimed our lead instructor. "Once the axe is in the ground, commit to it. Put all your weight on it. Don't pull it out!"


I tried again, with similar results. Even though I wanted to stick with my initial axe position, my reflexes had other ideas and I kept lifting it out of the ground. Landing at the bottom of the slope after several rolls and slides - and laughs - I had an even longer climb back to the top.


Before my third attempt, I tried to center myself as my instructors held me by the ankles. I was getting tired, so this was going to be my final try at a successful self-arrest.


"Commit," I whispered inside my head.


As I began my slide, I willed myself to hang onto that axe with all my might, pushing it deeper into the snow rather than lifting it back out. My mental preparation must have worked because I was able to stop myself rather quickly.


Reflecting on this experience, I realized that I need an ice axe equivalent for my life, something that I can plunge into the present moment to prevent me from falling further into negative mind states, getting trapped in thought-loops about the past, and sliding down other slippery internal slopes. Many days I feel as if I've tumbled and slid down life itself, unable to gain any traction, while my peers are off in the distance, out of sight, continuing their upward climbs. Or maybe this is just how it is to travel one's own path, uncharted, with no one providing direction or a map except my inner guidance system which, many times, seems to have me going around in circles, retracing my steps.

I do, however, have a few ice axes in my existential tool belt, if only I can remember to deeply commit to using them. One is meditation; it often succeeds in bringing me back to now. Another is writing; it often helps me gain a compassionate perspective on my life, to help me see that maybe I have not plummeted to the bottom of a ditch after all, that maybe if I poke my head out I'll be blessed with a beautiful view. And a third tool is art making; it allows me to externalize my inner conundra by creating physical objects to represent them, depriving them of their power over me.

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