Thursday, June 4, 2009

Infuriating, Infantile

Getting parking tickets makes my blood boil. First the rage is directed inward for having failed to properly read the sign and/or sufficiently feed the meter, and then I feel pissed at the Universe for not exempting me from the parking officer's scrutiny. In Denver, I'm finding, I rarely escape this scrutiny. I have received three parking tickets in the nearly nine months I've lived here, an amount that is outrageously high in my experience.

In other cities, meter maids (and meter men) frequently do their inspections on foot. This slows them down, so that if you see them approaching and you can move faster than they can, you can quickly move your car before they get a chance to ticket it. It also means that each meter maid, or man, covers less territory in a given amount of time than if they were in a vehicle, which lessens the probability that you'll get a ticket.

In Denver, the parking police drive around in mini-jeeps whose steering wheel is on the right side, making it easy for them to pull up alongside parked cars, check meters, issue tickets and place them on the driver's door of the offending car without having to pound the pavement.

I received my first ticket in the fall when, running late for a yoga class, I pulled into a space near the studio. There was a landscaping crew parked just up ahead and I assumed the spot was legitimate. Two hours later I discovered via a yellow envelope and white ticket tucked into the door of my Subaru that, in fact, I had parked on a residential-only stretch of pavement. There had been a sign, but I had not bothered to read it. The penalty? $25. Ouch.

My second screw up took place in winter. A friend had an art opening downtown and I arrived around 7pm and quickly found a parking spot. Thinking that meters only ran until 6pm, I went to the opening to say a quick hello. Fifteen minutes later I returned to my ticketed car; just up ahead I could see the police jeep slowly making its way up the street, ticketing nearly every car in sight. Had I left five minutes earlier, I would not have been saddled with a $25 fine. The meter, it turned out, ran until 8pm.

Chastened by these experiences, I've been making an effort to read the meters and parking signs with great diligence. In Denver, depending on the neighborhood, some meters go until 6pm, others 8pm and still others 10pm. Some meters have an hour limit, others a two hour limit, others just 30 minutes. At some meters 25 cents will buy you a luxurious hour of time, whereas that same quarter will only get you 15 minutes in other parts of the city.

About a month ago I went to an event downtown and was careful to feed the meter and to set the alarm clock on my cellphone to remind myself when I'd have to refill it. At the appointed time I ducked out of the event and returned to my vehicle and carefully deposited my remaining nickels (3 minutes each) and dimes (6 minutes) each to extend my lease on that space. At the end of the evening, I headed to my car and was dismayed to see that now familiar yellow envelope sticking out of the door to my car.

My meter still had 22 minutes on it. What the f---?

Exasperated, I read the ticket. It cited me for parking in two spaces at once. Impossible, I thought - there was a car in front of me and a car behind me, so I was not actually occupying two spaces. However, I had to concede that the front of my car poked a few inches past the parking meter. For this small incursion into another space they were going to fine me $25?

Infuriated, I decided to contest it.

Ticket in hand, I went to the office of the Parking Magistrate. I was asked to take a number; there was no dispensing machine, just a roll of perforated numbered slips of paper lying on a desk. I tore one off and took a seat. Minutes later I was escorted by a uniformed officer to one of the hearing rooms. I had imagined that the person who would hear my case would be sitting behind a desk, and would offer me a chair, and our heads would be at the same level as we'd have a friendly conversation about this mistakenly issued ticket.

Instead, I found myself standing behind a counter that came up to my chin, peering up into the face of the Parking Magistrate who sat in a tall chair and loomed over me. Suddenly I felt that I was three years old.

"Could you explain this ticket to me?" I squeaked. In hindsight, this was a bad strategy. What I really wanted was to have her dismiss the ticket or lower the fine, not to educate me about the arcana of Denver's parking rules.

The Magistrate explained why the ticket was issued. I tried to protest.

"But I was not occupying two spaces," I said.

"Well, you asked me to explain the ticket," she repeated, reminding me of what I had actually asked, as opposed to what I wish I had asked.

"It says clearly on the meter," the Magistrate continued, "that the front bumper must be aligned with the meter. Otherwise, you're in violation."

"So, even though I was not depriving anyone of a space, I'm still being fined?" I was still squeaking, as if my adult self had left the room leaving a youngster to deal with this situation. A little voice in my head told me to shut up and get out of there before I shredded my dignity any further. I did not listen to it.

"But I've lived or visited dozens of cities and I've never seen such a thing before," I protested. Did I really think she was going to let me get out of this?

"Well, this is the law in Denver. You might not like it, but that's what it is."

"I don't like it," I said, feeling like a toddler as soon as the words exited my lips.

I went to the cashier's office and paid the $25 on my credit card, wishing I had simply mailed in a check and saved myself the aggravation and embarrassment.

Monday, May 18, 2009

Ice Axe

Nearly two weeks ago I was at 11,000 feet, lying on my back. My helmeted head faced down a slope, my booted feet were held by two instructors in my Wilderness Trekking School. My hands gripped an ice axe. Before releasing me into a slide, my instructors asked me which way I was going to turn once I was in freefall.


"To the right," I replied, slightly lifting my torso and twisting to the right to reinforce my intention.

The point of this exercise was to learn how to stop oneself from slipping to one's death, serious injury or - in the best case scenario - inconvenience. Plunging the tip of the ice axe into the snow would create a fulcrum around which my body would rotate, so that I'd end up on my belly with my feet facing downslope, and by putting my weight onto the axe I would stop my descent. In theory, that is what was supposed to happen.


I gave the teachers the OK and they let me go. Off I went. Rather than terror, I experienced pure bliss sliding down a glacier in the bright sunshine, my skin tingling from the bits of snow that found their way inside my Gore-Tex layers. I didn't really want to stop and could have happily slid to the bottom, but with my classmates and teachers watching I had no choice. I plunged the ice axe into the snow and, sure enough, my body eventually spun around and my feet and head reversed positions. But I kept slipping. Without being conscious of it, I had lifted the axe out of the snow and plunged it in again, as if the initial plunge had been the problem. Eventually I stopped, but I had traveled a long way.


I climbed back to the top of our slide and awaited my next turn, observing the other students as they attempted this maneuver. Another woman seemed to have the same experience as me - she repeatedly, but imperceptibly, lifted her axe out of the snow and repositioned it, as if each successive plunge would work better than the preceding one. She, too, ended her slide a bit farther than desireable.


"Commit!" exclaimed our lead instructor. "Once the axe is in the ground, commit to it. Put all your weight on it. Don't pull it out!"


I tried again, with similar results. Even though I wanted to stick with my initial axe position, my reflexes had other ideas and I kept lifting it out of the ground. Landing at the bottom of the slope after several rolls and slides - and laughs - I had an even longer climb back to the top.


Before my third attempt, I tried to center myself as my instructors held me by the ankles. I was getting tired, so this was going to be my final try at a successful self-arrest.


"Commit," I whispered inside my head.


As I began my slide, I willed myself to hang onto that axe with all my might, pushing it deeper into the snow rather than lifting it back out. My mental preparation must have worked because I was able to stop myself rather quickly.


Reflecting on this experience, I realized that I need an ice axe equivalent for my life, something that I can plunge into the present moment to prevent me from falling further into negative mind states, getting trapped in thought-loops about the past, and sliding down other slippery internal slopes. Many days I feel as if I've tumbled and slid down life itself, unable to gain any traction, while my peers are off in the distance, out of sight, continuing their upward climbs. Or maybe this is just how it is to travel one's own path, uncharted, with no one providing direction or a map except my inner guidance system which, many times, seems to have me going around in circles, retracing my steps.

I do, however, have a few ice axes in my existential tool belt, if only I can remember to deeply commit to using them. One is meditation; it often succeeds in bringing me back to now. Another is writing; it often helps me gain a compassionate perspective on my life, to help me see that maybe I have not plummeted to the bottom of a ditch after all, that maybe if I poke my head out I'll be blessed with a beautiful view. And a third tool is art making; it allows me to externalize my inner conundra by creating physical objects to represent them, depriving them of their power over me.

Sunday, May 10, 2009

Inner Thighs, Indiscriminate

Until yesterday, I was a woman who rarely had issues with my body or self-image. Unlike many of my friends, as a teenager and 20-something I did not spend much time fretting over the size or shape of my behind, legs, breasts, arms and belly. For decades, I've accepted and even liked my body, pleased with its proportions and grateful that all of it worked pretty well nearly all of the time. My metabolism had been able to keep up with my intake of chocolate and no one was the wiser after my occasional binges of Toblerone bars or Ben & Jerry's pints.

For a brief moment, all that seemed to have changed.

Yesterday I was at REI, the outdoor clothing store I've patronized for years. I had ordered a dress online and went to the store to pick it up and try it on. Removing my pants and top in the fitting room, I was confronted with an unfamiliar and unwelcome sight: a roll of flesh around my belly and lumpy thighs that, in the mirror, looked a lot larger than I recalled. I don't have a full length mirror in my apartment and although I've felt that my body has been gradually changing - even though my weight has remained constant - I wasn't quite sure what I looked like.

It probably hadn't helped that, the night before, I had broken down and indulged in a longstanding craving for Popeye's Fried Chicken and biscuits (and cajun fries), washing it all down with a beer. It was as if this soul food had bypassed my digestive tract and plastered itself directly onto my thighs and derriere, as if to mock me for consuming it.

I quickly slipped the dress over my head. It fit beautifully and concealed the bumps and lumps - definitely a keeper! Briefly, I considered getting another one in a different color, imagining that I'd have to cover myself from waist to mid-calf for as long as I walked about the earth. No more shorts, and forget about bathing suits. And then I began to think about how I'd have to subsist on a diet of kale and tofu to recover my former figure. At that point, I began to sink into a funk, a perfect example of how attachment - to a thinner body - leads to suffering.

Were my days of indiscriminate eating really over? Would I have to finally face some fundamental facts about aging and further limit my intake of cheeses, cookies and chocolates? Would I need to intensify my exercise if I were to continue to entertain my tastebuds and fill my belly in the manner to which they had grown accustomed? As I pondered these questions, I realized that bumming out over the diameter of my butt was unnecessary, that my happiness was not contingent upon the circumference of my thighs. I know many large women and men who are much more content and successful than I am. And while I'm not going to allow my size to expand exponentially, I'm also not going to fixate on, or try to eradicate, every surplus centimeter of flesh. That would be ridiculous as well as an affront to the person I've always been - someone who refuses to confuse her self-esteem with her body.

Sunday, April 5, 2009

Interruption, Indignity

Although it has happened to me a few times already, I still haven't quite gotten used to the fact that - in Colorado - when I ask a server at a restaurant to please pack up the remainder of my meal, they do not whisk my plate away and return with a tidy little box filled with my food. Rather, they bring an empty box to the table, and it is up to me to transfer the contents of my plate into a styrofoam carton or a paper container. The process of packing up my meal interrupts whatever conversation I'm having with my dining companion, not to mention that accidentally spilling food or clumsily handling it in front of watchful eyes feels like an indignity.

I find this Colorado custom a bit irritating, and perhaps that is why I've repeatedly suppressed the memory of it. Indeed, last Thursday I had lunch at a local French restaurant and found myself scooping half of my chocolate pot de creme into a paper box. My companion stared as the dark brown dessert plop-plopped into the take-out carton where it looked significantly less appetizing than it had just seconds before in its cute white ramekin. By Friday evening I had already buried this painful episode deep in my psyche and, as a result, was newly and unpleasantly surprised when I was presented with a small box for storing half a plate of drunken noodles. Mercifully, all the food fit, but having to again peform the ritual of scooping food and scraping my plate in front of someone I had just recently met was just not fun. Next time, I might have to either order less or just eat more.

Saturday, April 4, 2009

Insanity, Instincts

Insanity, it is said, is doing the same thing over and over again and expecting a different result. However, with a meditation or awareness practice, one has the opportunity to observe oneself in the process of repeating history and then choosing not to in the end. Last night I was deep into deja vu all over again while sitting across a restaurant table from a 30-something year old man I had met online. In a moment of loneliness, intensified by a periodic fleeting desire to reconnect with my earlier self who had lived in Budapest, I had e-mailed this person whose screen name was in Hungarian to simply ask him if, indeed, he was. Igen. And he was also new to this area and seemed eager to meet new people, including me, even though I'm considerably older than the age range he had specified in his profile. He had posted photographs of himself in which he was outdoors and had what appeared to be a relaxed smile on his face. After a few e-mail exchanges we agreed to meet for dinner last night. Since he was driving some ways to meet me, I chose the restaurant, a funky Thai place that had received good reviews.

"So, you've been here before," he stated, as we took our seats.

"No, I haven't" I said.

"So, for a first date you've suggested an unknown place?" he asked, a bit taken aback, as if I had broken some generally accepted protocol and/or asked him to take a chance.

I, too, was taken aback. A first date? True, we were meeting for the first time, but I did not consider it a date with a capital "D". We had not even spoken on the phone beforehand, except for a few minutes immediately prior when he called to let me know he was running late. While I had been interested in meeting him I was not focused on coming up with an impressive evening or setting. I had asked him what food he enjoyed and made plans accordingly, choosing a place that would be conducive to conversation.

"Well," I said, "I asked some people for Thai restaurant suggestions and they recommended this one. The fact is I haven't eaten out all that much since moving here and I like trying new places."
Immediately, we dropped into a conversation about my impressions of Hungary and Hungarians - he had asked me in an e-mail and I thought it best to respond in person.

"Well," I said, not wanting to offend, "There seemed to be a cloud of gloom hanging over the country. People were pessimistic. But you don't seem to be like that at all."

"Actually, I am," he responded. At least he was being honest.

His remark released a range of uncomfortable sensations that I had felt while living there two decades ago, as if these had been sealed in a pouch all these years, waiting to be opened so they could be fully processed or digested. Now the pouch was leaking feelings of incompleteness, sadness, of longing for wholeness, resulting from being disconnected - by geography and genocide - from ancestral roots, and wanting to transform the experience of my Hungarian heritage into a happy one, despite the seeming impossibility of this task. No wonder I had packed this emotional goulash into an inner Ziploc, storing it somewhere deep in my guts, hoping that over time it would just pass through my system without my having to feel its painful contents.

The waitress came over to take our orders but we had not even opened the menus. We sent her away, and within minutes she returned.

"We're still not ready," I said to her. "Do we get a third try or are you going to kick us out?"

My companion laughed. I was relieved.

For what felt like a long time the waitress ignored us, and I got to hear a bit about his family history and journey to America. Like many Jewish men of his generation, he wasn't told of his religion until he was Bar Mitzvah age, a time when the word "Jew" was a common insult. An engineer, he had studied at the same university where I had spent my junior year abroad. We had eaten in the same cafeteria, whose offerings included soup with chicken feet, a dish that delighted the locals but freaked out the Americans.

As he spoke, I could not help but notice that he sounded almost exactly like another Hungarian Jewish engineer I had met, and dated, many years before. This genre of human being, in my experience, operates almost entirely from the left-brains, is analytical and logical to an extreme, lacks an aesthetic sensibility, has a scarcity mentality and can be very single-minded bordering on self-righteous. At one point during our meandering conversation my companion switched topics in order to pick up a loose thread. I can't recall what the abandoned subject had been, but I got the distinct impression that it was important to him to not leave anything hanging, that everything needed to be put in its place.

Some people might find this constellation of character traits attractive or positive in some circumstances, but I heard a little voice in my head comment, "You moved to Colorado to change your life...so why are you having dinner with a slightly more polite and refined version of an ex-boyfriend from hell?"

Perhaps I needed to revisit some old psychological territory from a new perspective, to hear nearly the exact same thought processes, mindset and beliefs from this more junior man as I had heard from my ex who, at the time, had been my senior, and to have a completely different experience. As I nibbled my drunken noodles I realized that I'm no longer the person who was afraid to trust herself and who preferred to rely on what others had to say, particularly people with strong views and clearly articulated opinions. In what had been a disastrous and painful relationship with my ex, I had abandoned many parts of myself in order to conform to his views of the world and to fit his image of who he needed his girlfriend to be.

Slowly I have learned to not do that again. All this seemed quite clear while sitting in the restaurant and when saying good night to my dinner companion after we had finished our meal. It was raining by the time we left the restaurant and, after a brief and somewhat awkward discussion about continuing our evening in a more happening part of Denver, he chivalrously suggested that we save that for another time and better weather. I was free to enjoy my own company for the rest of the night.

When I got home, however, my self-doubt and conditioning kicked in with a vengeance, berating me for not having picked a restaurant in a more lively location that offered the possibility of a post-dinner stroll, as if I had blown my very last chance to find a fulfilling relationship because I had not orchestrated a perfectly seamless, multi-stop evening. For a few moments I actually fell for these nasty voices in my head, voices that have been telling me most of my life that I need to be romantically involved with someone to be an acceptable person and that I need to twist myself into knots to either enter into or maintain such relationships. The fundamental message of these voices, a malevolent mantra as it were, is that I am not enough, that by myself I am inadequate. I think I am finally catching onto these insidious bastards and their very dirty tricks.

Sunday, March 15, 2009

Imagination, Intimacy, Impatience

I have an active imagination. It is like an unruly animal that races around, dragging my emotions and hopes along with it, sometimes taking them on a wild fantasy ride, other times pulling them into a deep pit of despair. A recent episode showed me just how out of whack with reality my imagination can be.

Earlier in the week I received an e-mail from a synagogue announcing that Friday, March 13, was Shabbat Across Boulder County - people could sign up to host others or to be invited. Imagining that I might find myself at an enthusiastic and joyful Shabbat dinner with many other people, I asked the synagogue to find me a space in someone's home. Almost instantly, the organizer e-mailed me some information about my hosts and how they were wonderful people; he wrote that he'd leave it to them to send me details about the time.

I waited a day, and heard nothing. By Thursday evening, I was getting a bit concerned, so I sent the hosts an e-mail, asking for more information. By Friday morning, I still had not received a response, and my imagination started to spin sad stories about how their dinner was actually full, there had been a miscommunication between them and the synagogue, and they were too embarrassed to tell me so they were just ignoring me. And then, my imagination tamer showed up and said, "Well, maybe their e-mail is down, let's give them a call." So I called and left a message.

An hour later I received a call back from the wife. She sounded a bit breathless and disorganized, explaining that she had not checked her e-mail because she's busy mothering her 2 year old son. She told me that the other Shabbat guests had canceled, and it would just be me, her and her husband, her child, mother-in-law and her three dogs.

"Did I still want to come?" she asked.

"Sure," I said, even though that meant puncturing the fantasy balloon of a large Shabbat dinner. I did not have a backup plan and it was too late to make other arrangements.

"Well, all we do for Shabbat is say a few blessings," she added. I imagined that their minimalist ritual was due to the fact that they lacked a traditional Jewish background; perhaps they had returned to religion to raise a child but otherwise had no deep connection.

"That's OK with me," I replied. So this would not only not be a large dinner, it might not even be very Shabbat-like.

"And I'm not much of a housekeeper," she said. "Even though I'm sure I'll like you I'm not going to clean the house for you."

The last time someone from this congregation made that remark to me they had not been exaggerating. So I imagined that her home was covered with dog fur, strewn with toys, unwashed dishes piled in the sink and crumbs everywhere. Perhaps she was overwhelmed with motherhood and had let her house go to pot; in fact, my imagination went wild, conjuring images of a trailer park, with old tires and cars in the front yard.

I suppose this was the moment when I could have changed my mind. But something told me to go anyway.

"Not a problem," I said.

"Great. Is there anything that you don't or can't eat?" she asked.

"I don't eat pork," I said, figuring that I should not make any assumptions about how Jewish this family was.

"Oh, well! I was going to serve pork chops with a bacon reduction sauce," she quipped.

I burst out laughing.

"Well," I said, "you never know these days, what people will or won't eat. I hope I did not offend you."

"Not at all," she added. "I just wanted to be sure you weren't a vegan or had a gluten-free diet."

"Thanks for checking, I appreciate it."

"Do you eat sweets?" she asked.

"Absolutely!" I enthused.

"Do you like chocolate? Or would you prefer a fruit tart?" This woman was serious about dessert.

"Chocolate works for me," I said, thinking that would be end of it.

"Now, do you prefer chocolate mousse or something more solid, like chocolate cake?"

While pondering this very important question, I realized that it had been a long time since anyone had inquired so specifically about what I prefer. This stranger had been able to create some intimacy with me over our shared fondness for chocolate. For an instant, I felt a rush of love.

"Chocolate cake," I replied. "Thank you so much for asking."

We agreed that I would arrive between 6 and 7pm. And I thought that was the end of our phone calling.

In the late afternoon she called back to let me know to come closer to 7pm.

"Sure," I said, preparing not to speak to her again until arriving at her house.

Shortly after 6pm, while I was on the phone with a friend, she called again.

"What the...?" I wondered, feeling impatient at this interruption.

I took her call.

"Hi," I said, trying to disguise my annoyance. "What's up?"

"Do you eat cheese?" she asked.

"Yes," I said.

"Great!" she replied. And I said I'd see her soon.

Within five minutes, she called again, interrupting my conversation once more. My blood was starting to boil.

"I just want to let you know," she exhaled, "that we are very casual for Shabbat. We don't dress up. We wear really comfortable clothes - like sweats or pajamas. So, I hope you are not dressed up."

At this point I was imagining this family sitting cross-legged in their sweatpants in a circle on the floor, the dogs running around, barking and stealing food from our plates, the Shabbat candles dripping wax onto the unvacuumed carpet, as if they belonged to some sloppy hippie commune. Not knowing what to expect, I had put on some of my favorite clothes that morning - not fancy, but not pj's either.

"Well, I am not planning to change before coming to your house," I said, trying to conceal my growing annoyance. "I am comfortable with what I am wearing and I hope you'll be comfortable, too."

That had to be the last of it, I thought, switching back to my other conversation.

But then minutes later she called AGAIN. I was starting to go ballistic.

"Yes?" I asked, a bit fearful of what she might say next. My imagination had already conjured the Shabbat from hell, yet at this point I could not easily back out.

"If you haven't left your studio yet, could you bring a piece of your art to show us?" she wondered.

"I'd be happy to bring you one of my business cards," I said, suppressing a growl. "I really don't wish to be doing show and tell on Shabbat. I am sure we'll have plenty to talk about."

The drive to their house was 40 minutes which gave me enough time to cool down and try to be present for whatever reality I'd be confronting when I'd ring their doorbell.

The home was, as far as I could tell, spotless. A carefully and beautifully arranged platter of cheeses, strawberries and blueberries was offered to me. The hosts wore jeans and while they were not dressed formally they were not slobs either. The dogs were well behaved and well-groomed. None of them seemed to shed a single hair. And over dinner, around a lovely table, it came up that the wife had attended yeshiva in her childhood - so, my imagination had been wrong about why they have a minimal Shabbat. And despite her flakiness on the telephone, I learned that the wife had had a successful career in finance.

While digging into the delicious chocolate cake, she and I discussed the series of phone calls we had had.

"You probably thought I was crazy," she said.

"Well, yes. And, based on what you told me, I imagined that your home was a disaster, and that is so far from the truth," I confessed. "You have a beautiful place." Later on she would show me her art collection, including a Warhol.

"I honor that you chose to come here tonight," she said, "I am not sure I would have made the same decision if I had been in your shoes."

Before long she and I were deeply immersed in a conversation about spirituality, personal growth, family dynamics, men and the choices we make. It turned out we had much more in common than a love of chocolate cake.

By this time her mother-in-law had left, her son was asleep and her husband had changed into his pajamas.

"Are you two going to be here when I get up in the morning?" he wondered, getting a drink from the kitchen.

It was after midnight when I finally left, my mind reeling from this newly forged connection. My imagination, chastened from having nearly led me astray with its fear-based stories, was curled up in the corner of my brain like a dog on its bed.

Incensed, Imitation, Immune, Integrity

Last summer when I first walked into the building where I’d soon be renting an art space, I was immediately struck by the camaraderie and welcoming attitude of the handful of artists I had met that day. These included a young woman who had her own line of hand painted pottery. She was very attractive in a conventional sense – svelte, blonde, blue eyed, with a bubbly personality and a dazzling smile. The product of a Southern upbringing, she was raised to be accommodating, non-confrontational and cheerful no matter what, maintaining a relentlessly positive view of each of her life’s circumstances and of other people’s behavior. She was all about fun – creating it, having it – and she did not seem to have room in her life for anything that would get in the way of a good time. She seemed immune to regrets, remorse or self-awareness of any kind. I have to admit that even I, a cynical, introspective and blunt-speaking Easterner was seduced by her charisma and upbeat persona. She was, in a sense, my Karmic opposite. Once I moved into the building, I often found myself wandering into her studio to chat about art, business and life and, perhaps, to have some of her unabated optimism and cheer rub off on me.

When she announced a few months ago that she’d be leaving to start another business in a new location, many in my building were crestfallen. “What will we do without her?” a few wondered out loud, anticipating the energetic void that she would leave behind.

All of the artists in the building strive to express themselves creatively, spending hours in their studios with paints, brushes, canvases and/or cameras, exploring new themes and subject matters or revisiting the same ones to create and deepen a body of work. And so many of us were wary and a bit disappointed when our soon-to-be departing studio mate revealed her new business: teaching groups of people how to reproduce particular paintings. Each session would focus on a different image – perhaps Monday nights one could sign up to paint apples, and Tuesdays one could sign up to paint a mountain scene, etc. And she was not shy about appropriating paintings she found online, tweaking them and using them as example paintings for her own prospective students/customers.

“What about copyright issues?” I asked her one day after popping into her studio where I saw her whipping up another painting for her new business.

“Oh, everyone does this,” she said blithely, as if appropriating another artist’s image was perfectly OK. As if to prove her point, she showed me four or five highly similar images online, created by different artists. It was hard to tell which was the original, which were derivative.

I returned to my studio feeling uncomfortable with her approach but knowing that it was really none of my business. Better to focus my attention on my own art. And taking a cue from her playbook, I tried to come up with a positive interpretation of what she was doing. Maybe her business, by having people copy art, would make the painting process accessible enough to encourage more people to do it for real.

And so I had left the matter rest gently, until she came by the other day with a postcard invitation for her grand opening. And one of the images on the card was, unmistakably, a reproduction of a painting created by one of the artists in our building, someone whose distinctive work is also hung in local galleries.

I could feel my inner prosecutor awakening from a long slumber, ready to argue, fists pumping in the air and spittle flying from her lips, in front of an imaginary judge that this woman, who stole an image from an established artist with whom she shared a cordial relationship for years, deserved nothing less than handing over all of her assets to the aggrieved party, public censure and being forced to close her business.

Yes, my inner prosecutor got a little worked up.

I shared my outrage with some others in my building and they pointed out that it was still none of my business. They said the only person who had a right to confront the Copycat was the artist whose work had been copied.

Even after the artist called the Copycat and asked her to remove that painting from her “portfolio”, which she agreed to do after explaining that she had made the painting out of admiration for the artist’s style, my inner prosecutor was still having a hard time dismissing this case. Considering she is a Southern Belle, the Copycat had a lot of chutzpah to, at times, refer to people in the building as family, say how hard it was going to be for her to leave all of us, and then "borrow" someone else’s art as she sashayed her mini-skirted butt out the door. And, ironically, as someone noted, the Copycat knocked off one of the few artists in the building who had the financial means and connections to pursue the matter legally if she had chosen that route.

What on earth had she been thinking?

Most likely she had not been.

I’ve been trying to shift into a softer position while identifying the source of my outrage. It is not simply that her lack of integrity offended me; she also symbolized some of what I detest in our culture, a culture that produces and rewards people who, like spiders, can spin a good story with flashing white smiles, flattering words and promises of fun or money.